“My People, My Country” is a landmark anthology film capturing seven pivotal moments since the founding of the PRC. As the designer for the segment “Going Home” (directed by Xiaolu Xue), the mission was to create a visual identity that captured the soul of the 1997 Hong Kong handover—a moment of profound emotional and political gravity.
More than a title card, this logo serves as the emotional bridge between personal memory and national pride.
Client: Xiaolu Xue / Huaxia Film Distribution
Sector: Media, Cinematic Arts & National Branding
Scope: Main Title Design / Visual Identity / Typography Architecture
Impact: A cornerstone visual for China’s 70th-anniversary cinematic celebration.
The “Going Home” segment required a dualistic visual approach. It had to reflect the Diplomatic Precision of the 1997 handover negotiations while maintaining the Human Warmth of a soldier, a policeman, and a watchmaker’s perspective. The challenge was to design a logo that didn’t feel like a cold government document, but a living piece of history.
We treated the typography as a vessel for time.
Weight & Stability: Using structured, high-contrast strokes to symbolize the unyielding nature of sovereignty.
Emotional Texture: Incorporating subtle cinematic textures that evoke the nostalgia of the 1990s, ensuring the audience felt the “weight of the wait” for the 154-year return.
Narrative Flow: Ensuring the title integrated seamlessly into the film’s transition from historical footage to cinematic reconstruction.
Focusing on the architectural balance of the characters to ensure legibility across IMAX screens and mobile streaming posters.
The identity for “Going Home” successfully anchored the film’s most sensitive and celebrated chapter. It contributed to a unified brand experience that helped the anthology become a cultural phenomenon, setting a new standard for how national stories are visualized in the modern era.